Source and transport
Source count, available camera and data feeds, network paths and readiness constraints.
Ingest path, freshness states, source selection and the operational source plan.
Broadcast & production
Direct live video, timing, graphics and replay.
Bring available onboard video, course views, timing, position, graphics and replay into a production workflow that keeps Preview separate from Program.
Production path
Ingest, verify, preview, take, retain.
- 01Sources
Onboards, course feeds, timing, position and approved race context.
- 02Health
Available, delayed, stale and offline states remain visible.
- 03Preview
Prepare the next camera, graphic, replay or sponsor element.
- 04Program
An operator commits the selected source to the output.
- 05Record
Preserve the program and available source history for replay and review.
Production control
Preview stays separate from Program until the operator takes the source.
The control room keeps feed readiness, Program, Preview, timing and the rundown in one working surface. The operator stays in control of every take.
Current Race Link Live interface. Sources and event values are illustrative.
First-production scope
Define the first production around its sources and outputs.
A production pilot is scoped around the actual source list, operating roles and delivery destination.
Scope itemYou provideRace Link Live defines
Program operation
Program destination, operator roles, graphics/replay needs and approval path.
Preview and Program workflow, control surface, race-day support and production handoff.
Retention and review
Required replay access, retained material and the questions that must be reviewed after the event.
Authorized replay outputs, retained sources within scope and the post-event review.
Keep context attached to the source
Timing and telemetry help explain why a camera matters.
Find the moment
Use timing, position and vehicle state to locate a pass, recovery, pit stop or developing battle.
Check the source
Know whether the camera or data is available before building the next cut around it.
Prepare the output
Stage graphics, replay and sponsor elements in Preview before changing Program.
Bring your source list
Map the production around your actual sources and destinations.
We will review cameras, timing inputs, graphics, replay, operators, outputs, retention and support coverage.
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